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Vol. XIV · No. 287
Festival Dispatch Issue
Tuesday Edition Reviews·Interviews·Festivals·Awards Sundance ’25 · TIFF · Berlinale
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An empty screening room the night before a festival premiere.

The Egyptian Theatre, Hollywood — site of the first live indie blog dispatch from Sundance, 2011.

A Living Masthead · Founded 2010

About the Critics.

For fourteen years, eleven working critics and thirty-eight contributors have kept a single, stubborn promise to the independent film community: that serious movies would be written about seriously, by people who actually go to the screenings.

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14-minute read · Last updated March 2025 · Filed under Masthead

Chapter One · The Origin

A magazine that became a website, on purpose.

In the winter of 2009, Daniel Merritt — then a staff writer at Variety covering the indie acquisitions beat — was asked to write a 600-word review of a small Romanian feature for the paper's weekend section. He turned in 4,200 words. The section editor cut it to 600 and ran the piece anyway, then quietly suggested Daniel take his "considerable opinions" elsewhere.

He did. In March 2010, with a $400 annual hosting bill and a borrowed mailing list of forty-three fellow critics, Independent Film Blog published its first review — a 1,900-word essay on a micro-budget drama called Winter's Bone, six months before the film crossed anyone's radar at Sundance. The post received eleven readers that week. Two of them were the film's producers.

The editorial philosophy was set in that first year and has not changed since: no algorithmic surfacing, no sponsored reviews, no listicles for the sake of a headline. Every piece is assigned to a human critic who has watched the film at least twice and spoken to at least two members of its creative team. The average review runs 1,800 words. The masthead, fourteen years on, is still small enough to fit in a single room.

What began as one critic's refusal to write shorter has become the longest-running dedicated indie cinema publication on the web — 12,600+ original articles, reviews, and interviews, dispatched from twenty-two international festivals a year, written by people who treat the job as a craft and the filmmakers as colleagues rather than content.

— D. M., New York, March 2025

Read the current issue of Reviews →

The Working Critics

Eleven staff critics. Thirty-eight contributors. One masthead.

Every byline on the site belongs to a working writer. Three of our staff critics currently serve on festival juries at Telluride, Tribeca, and Locarno.

Portrait of founder Daniel Merritt at his desk.
Daniel Merritt Editor-in-Chief & Founder · New York Former Variety staff writer. Founded the site in 2010. Festival jury: Tribeca.
  1. 01 Daniel Merritt
    Editor-in-Chief & Founder New York · Since 2010 · Tribeca jury
  2. 02 Priya Ramanathan
    Deputy Editor Toronto · Since 2013
  3. 03 Marcus Bell
    Senior Critic, Documentary London · Since 2014
  4. 04 Lena Hoffmann
    Senior Critic, European Cinema Berlin · Since 2015 · Locarno jury
  5. 05 Tomás Reyes
    Festival Editor Mexico City · Since 2016
  6. 06 Sarah Whitford
    Features Editor Los Angeles · Since 2017
  7. 07 Jamal Okeke
    Critic, African & Diaspora Cinema Lagos · Since 2018
  8. 08 Hannah Lindqvist
    Interviews Editor Stockholm · Since 2019 · Telluride jury
  9. 09 Wei-Lin Chen
    Critic, East Asian Cinema Taipei · Since 2020
  10. 10 Rebecca Calloway
    Newsletter Editor New York · Since 2021
  11. 11 Felix Andoh
    Associate Critic Accra · Since 2023

Plus thirty-eight contributing writers across nine countries:

A. Soriano · B. Nakamura · C. Devereaux · D. Petrov · E. Mwangi · F. Almeida · G. Banerjee · H. Volkov · I. Trevelyan · J. Cissé · K. Halvorsen · L. Quintero · M. Ferraro · N. Sundaram · O. Beaumont · P. Greer · Q. Aronson · R. Kobayashi · S. Marais · T. Whelan · U. Babatunde · V. Ljungström · W. Cavendish · X. Pereira · Y. Hadid · Z. Markov — and twelve more.

By the Numbers

Fourteen years, by the count.

8,400+ Independent features & shorts reviewed Including early coverage of 47 Sundance Grand Jury Prize winners
22 International festivals covered annually Sundance, TIFF, Cannes, SXSW, Berlinale, Rotterdam & sixteen more
42,800 Newsletter subscribers, Q1 2025 Growing roughly 18% year-over-year toward a 50,000 target
1.2M Monthly unique readers An average depth of 1,800+ words per review

Founded 2010 · 12,600+ original articles, reviews & interviews · 1,800+ word average review depth

In the Company of

What the outlets we admire have said about us.

  • Online Film Critics Society 2022

    "Outstanding Online Publication of the Year — for the consistency and seriousness of a critic-run operation that has refused, year after year, to be swallowed by the algorithm."

    OFCS Awards, 2022
  • Filmmaker Magazine 2023

    "The most consistently rigorous indie review site online — a working newsroom of critics, not a content mill, and it shows in every paragraph."

    Featured in the 2023 critic roundup as a recommended resource
  • The Guardian 2024

    "An indie institution that has outlived three waves of media consolidation by doing the one thing its peers forgot: reading the films, then writing about them."

    Recommended reading list, film criticism vertical
  • IndieWire 2023

    "For newsrooms and programmers looking for indie cinema coverage that holds up after the awards-cycle dust settles, this remains the reference point."

    Annual indie critic resource roundup

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Twenty-five original pieces a week. Written by critics. Not algorithms.

The newsletter arrives on Thursday mornings with the week's lead review, a dispatch from whichever festival is running, and one interview you won't read anywhere else. 42,800 readers can't be wrong — but they'll be glad to have you at 42,801.

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