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	<title>Independent Film Blog</title>
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	<link>http://independentfilmblog.com</link>
	<description>Exploring ways to make movies that sell!</description>
	<lastBuildDate>Fri, 20 Aug 2010 20:48:29 +0000</lastBuildDate>
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		<title>5 Facebook Tips For Filmmakers w/ Social Media Expert Linda Nelson</title>
		<link>http://independentfilmblog.com/archives/5-facebook-tips-for-filmmakers-w-social-media-expert-linda-nelson/</link>
		<comments>http://independentfilmblog.com/archives/5-facebook-tips-for-filmmakers-w-social-media-expert-linda-nelson/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 20:48:29 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Financing]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=347</guid>
		<description><![CDATA[Wanna know how to maximize your opportunities on Facebook and find out how you can leverage the powerful Facebook platform for your film?
Go no further than listening to this interview with Social Media expert Linda Nelson! 
Take notes as Linda reveals her 5 biggest tips specifically targeted to filmmakers, that you&#8217;ll want to take and [...]]]></description>
			<content:encoded><![CDATA[<p>Wanna know how to maximize your opportunities on Facebook and find out how you can leverage the powerful Facebook platform for your film?</p>
<p>Go no further than listening to this interview with Social Media expert Linda Nelson! </p>
<p>Take notes as Linda reveals her 5 biggest tips specifically targeted to filmmakers, that you&#8217;ll want to take and put into action immediately. Ready?&#8230;. Here you go&#8230;. Enjoy!</p>
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<p>
Got questions? Go ahead and post them underneath and Linda can answer you here&#8230;. OR, you can contact her directly at Linda @ NelsonMadisonFilms.com if you would like individual help creating a custom Facebook page for your film ***</p>
]]></content:encoded>
			<wfw:commentRss>http://independentfilmblog.com/archives/5-facebook-tips-for-filmmakers-w-social-media-expert-linda-nelson/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Working Through Film Finance &amp; Distribution Overwhelm</title>
		<link>http://independentfilmblog.com/archives/working-through-film-finance-distribution-overwhelm/</link>
		<comments>http://independentfilmblog.com/archives/working-through-film-finance-distribution-overwhelm/#comments</comments>
		<pubDate>Sat, 14 Aug 2010 18:41:31 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Financing]]></category>
		<category><![CDATA[film distribution]]></category>
		<category><![CDATA[film finance]]></category>
		<category><![CDATA[movie distribution]]></category>
		<category><![CDATA[movie finance]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=336</guid>
		<description><![CDATA[In order to demystify some of the  Distribution Overwhelm  that many of you are experiencing right now, I thought it would be helpful to perhaps illustrate what some other filmmakers are doing in specific situations that maybe YOU find yourself in right now. I know whenever I find myself in a situation where [...]]]></description>
			<content:encoded><![CDATA[<p>In order to demystify some of the <a href="http://independentfilmblog.com/archives/distribution-overwhelm/"> <strong>Distribution Overwhelm </strong></a> that many of you are experiencing right now, I thought it would be helpful to perhaps illustrate what some other filmmakers are doing in specific situations that maybe YOU find yourself in right now. I know whenever I find myself in a situation where I don&#8217;t know what to do, one of the first things I look for is what others have done in the <strong>same situation</strong>which then helps by illuminating different courses of actions I can take to achieve certain outcomes.</p>
<p>OK, so here&#8217;s one very common situation I&#8217;m seeing a lot of lately&#8230;.</p>
<p>A filmmaker comes to me with a film at the script stage and doesn&#8217;t know what to do first or even where to turn to for funding. Anybody out there ever been in this spot??</p>
<p>The first thing I ask any filmmaker in this situation is &#8220;How Much Are You Trying To Raise&#8221;? Depending on what their answer is, I determine FIRST whether that is even a realistic budget or not taking into account:  1) whether they are a first time filmmaker, 2) someone with a track record behind them, or 3) someone who has &#8217;some&#8217; experience but not a real track record per se&#8230;.</p>
<p>For first time filmmakers or filmmakers with &#8217;some&#8217; experience but no real track record, I always recommend they bring on board their project either a Director, Producer, or Executive Producer with more experience, so they can leverage someone else&#8217;s track record to start creating their own. </p>
<p>Next, I recommend the filmmaker take an honest look at the amount they want to make their film for, and then I work through realistic sales projections with them so we can determine whether or not they even have a shot of recouping their budget. Sometimes we find a way to make it work for the budget they want, but sometimes it requires adjusting the film&#8217;s budget to meet the realities of the market (never a fun thing but necessary if they want to break even or profit with your film).</p>
<p>Once we determine a realistic starting point in terms of budget for the film, we set out creating a plan of attack for getting all the necessary elements in place to actually <em>justify</em> the film&#8217;s budget, and then figure out how to present all this properly in the form of websites, pitch packets, and other marketing collateral.</p>
<p>Finally we figure out the appropriate audience &#038; venue with which to start moving forward &#8211; is it via live sales presentations to private investors? Is it via a Crowd Funding campaign for development funds? Is it via Pre-Sales to targeted buyers at the next film market? Shopping it one by one to executives in their offices? Or a combination of a few or all of these?</p>
<p>You see how every film needs it&#8217;s own Strategy depending on what it is and who it&#8217;s for? </p>
<p>There&#8217;s obviously a lot more involved in financing your film, but I wanted to simplify the process somewhat so you can at least see a STARTING POINT. That&#8217;s what I find trips up so many filmmakers: they don&#8217;t know where to START. And if you don&#8217;t at least start the process, you&#8217;ll just continue to find yourself stuck in the same position month after month, year after year, with no movement and feeling increasingly frustrated. So whatever you do &#8211; whether you <a href="http://www.filmspecific.com/public/767.cfm"> <strong> get help with this process </strong></a>, or embark on it on your own, start NOW and get the ball rolling, and then it won&#8217;t be so overwhelming any more&#8230;.</p>
<p>So for those of you who are in this situation now, or have been in it before, what experiences have you had that you can share with us, and maybe help someone else who&#8217;s experiencing Overwhelm right now?</p>
]]></content:encoded>
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		<slash:comments>9</slash:comments>
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		<title>5 Tips: Prepping For AFM</title>
		<link>http://independentfilmblog.com/archives/5-tips-prepping-for-afm/</link>
		<comments>http://independentfilmblog.com/archives/5-tips-prepping-for-afm/#comments</comments>
		<pubDate>Fri, 06 Aug 2010 17:03:46 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Financing]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=329</guid>
		<description><![CDATA[Hi there&#8230;.
To cap off my series here of Filmmaker Case Studies from Film Markets, I wanted to include a recent interview I did with Digital Production Buzz called &#8220;5 Tips: Prepping For AFM&#8221;.  
Any of you planning on having your films at AFM? If so, are there any remaining questions you have that were [...]]]></description>
			<content:encoded><![CDATA[<p>Hi there&#8230;.</p>
<p>To cap off my series here of Filmmaker Case Studies from Film Markets, I wanted to include a recent interview I did with Digital Production Buzz called &#8220;5 Tips: Prepping For AFM&#8221;.<br />
<br />
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<br />
Any of you planning on having your films at AFM? If so, are there any remaining questions you have that were answered in any of the case studies I posted? I&#8217;d love to hear your thoughts and feedback!<br />
<br />
And if after all that, you  still feel like you want help with getting YOUR film to the next Film Market (AFM), check out my <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>FILM MARKET LAB PROGRAM </strong></a>where you can <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>save $50 if you register before Monday, August 9. There&#8217;s only 4 spaces left at the time of this writing so register this weekend so you don&#8217;t miss the boat!</p>
]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Turning Your Luck Around @ Film Markets</title>
		<link>http://independentfilmblog.com/archives/turning-your-luck-around-film-markets/</link>
		<comments>http://independentfilmblog.com/archives/turning-your-luck-around-film-markets/#comments</comments>
		<pubDate>Tue, 03 Aug 2010 17:28:01 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Financing]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=324</guid>
		<description><![CDATA[A year ago, filmmaker Richard Ford had a completed film &#8220;i-Crime&#8221; which he submitted to sales agents hoping to launch at AFM®, but got no response and no representation.
He and his producing partner didn&#8217;t like taking NO for an answer, and decided to head to the market anyway, figuring they&#8217;d have better luck trying to [...]]]></description>
			<content:encoded><![CDATA[<p>A year ago, filmmaker Richard Ford had a completed film &#8220;i-Crime&#8221; which he submitted to sales agents hoping to launch at AFM®, but got no response and no representation.</p>
<p>He and his producing partner didn&#8217;t like taking NO for an answer, and decided to head to the market anyway, figuring they&#8217;d have better luck trying to nab a sales agent for their film in person.</p>
<p>What they found was that nothing can replace a face-to-face meeting (and selling as it were)! Listen to this interview I did with Richard as he describes his experience in detail. In it Richard discusses:</p>
<p>• the challenge with his film&#8217;s genre (or genres) that they hadn&#8217;t considered before<br />
• their strategy prior to descending on AFM®<br />
• how they managed to get meetings on the spot at the market<br />
• the &#8216;icebreaker&#8217; they used to help them get meetings<br />
• the responses they got from sales agents once they started meeting them in person<br />
• the materials they used (trailer, artwork, etc.)<br />
• how they ended up pitching a new project from the script stage<br />
• how their attitude changed on relationship building<br />
• the types of deals they got offered at AFM® and post-market<br />
• the deliverables that were necessary for the bigger deals they were offered<br />
<br />
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<br />
If you want help with getting YOUR film to the next Film Market (AFM), check out my <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>FILM MARKET LAB PROGRAM </strong></a>where you can <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>save $75 if you register before Thursday, August 5.</p>
<p>Enjoy!</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Finding A Sales Agent @ Film Markets</title>
		<link>http://independentfilmblog.com/archives/finding-a-sales-agent-film-markets/</link>
		<comments>http://independentfilmblog.com/archives/finding-a-sales-agent-film-markets/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 20:07:26 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=310</guid>
		<description><![CDATA[Taking an extremely pro-active approach to the distribution of his film, filmmaker Ron Zimmerman took his nearly completed feature &#8220;The Killing Strain&#8221; to the American Film Market® in 2009 to spark interest and find the right sales agent.
In this case study Ron discusses:
• How he and his filmmaking partner met their sales agent
• The preparation [...]]]></description>
			<content:encoded><![CDATA[<p>Taking an extremely pro-active approach to the distribution of his film, filmmaker Ron Zimmerman took his nearly completed feature &#8220;The Killing Strain&#8221; to the American Film Market® in 2009 to spark interest and find the right sales agent.</p>
<p>In this case study Ron discusses:</p>
<p>• How he and his filmmaking partner met their sales agent<br />
• The preparation they did prior to going to the market<br />
• How they approached sales agents at AFM® with their film<br />
• How they took advantage of AFM® Workshops<br />
• The plan for this year with projects at script stage<br />
•  What the &#8217;seasons of filmmaking&#8217; are<br />
• And much more!</p>
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<br />
<strong>Don&#8217;t forget to check out the other case studies that came before this one:</strong></p>
<p>1. <a href="http://independentfilmblog.com/archives/first-time-to-film-market/"> <strong>FIRST TIME AT A FILM MARKET </strong></a></p>
<p>2. <a href="http://independentfilmblog.com/archives/diy-film-market-case-study/"> <strong>DIY FILM MARKET EXPERIENCE </strong></a></p>
<p>3. <a href="http://independentfilmblog.com/archives/film-markets-from-a-sales-agent-perspective/"> <strong>FILM MARKETS FROM A SALES AGENT&#8217;S PERSPECTIVE </strong></a></p>
<p>4. <a href="http://independentfilmblog.com/archives/finding-financing-at-film-markets/"> <strong>FINDING FINANCING AT FILM MARKETS </strong></a></p>
<p><strong>AND&#8230;..</strong></p>
<p>If you want help with getting YOUR film to the next Film Market (AFM), check out my <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>FILM MARKET LAB PROGRAM </strong></a>where you can <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>save $100 if you register before this Saturday, Aug. 2</p>
<p>Enjoy!</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Finding Financing At Film Markets</title>
		<link>http://independentfilmblog.com/archives/finding-financing-at-film-markets/</link>
		<comments>http://independentfilmblog.com/archives/finding-financing-at-film-markets/#comments</comments>
		<pubDate>Fri, 23 Jul 2010 19:48:35 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Financing]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=301</guid>
		<description><![CDATA[Next up in our series of Film Market case studies&#8230;..
Filmmaker Mark Shields went to the Cannes Film Market armed with a script and looking for financing. Although he was successful&#8230;. success didn&#8217;t come in the form you might think!
In this case study, Mark discusses:
• How he prepared for the Cannes Film Market
• The role his [...]]]></description>
			<content:encoded><![CDATA[<p>Next up in our series of Film Market case studies&#8230;..</p>
<p>Filmmaker Mark Shields went to the Cannes Film Market armed with a script and looking for financing. Although he was successful&#8230;. success didn&#8217;t come in the form you might think!</p>
<p>In this case study, Mark discusses:</p>
<p>• How he prepared for the Cannes Film Market<br />
• The role his marketing packet played in securing meetings in Cannes<br />
• How his meetings went<br />
• The importance of having a PLAN for the market (and what a difference it made for him this year!)<br />
• The results he achieved in financing his film<br />
• His surprise with gap financing<br />
• And more!</p>
<p>For any filmmaker who has ever wondered how to successfully exploit financing opportunities at the international film markets and what it takes, this case study is essential.</p>
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type="application/x-shockwave-flash" width="100%"> </embed> </object><br />
<br />
<strong>Don&#8217;t forget to check out the other case studies that came before this one:</strong></p>
<p>1. <a href="http://independentfilmblog.com/archives/first-time-to-film-market/"> <strong>FIRST TIME AT A FILM MARKET </strong></a></p>
<p>2. <a href="http://independentfilmblog.com/archives/diy-film-market-case-study/"> <strong>DIY FILM MARKET EXPERIENCE </strong></a></p>
<p>3. <a href="http://independentfilmblog.com/archives/film-markets-from-a-sales-agent-perspective/"> <strong>FILM MARKETS FROM A SALES AGENT&#8217;S PERSPECTIVE </strong></a></p>
<p>AND&#8230;..</p>
<p>If you want help with getting YOUR film to the next Film Market (AFM), check out my <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>FILM MARKET LAB PROGRAM </strong></a>where you can <a href="http://www.filmspecific.com/public/1119.cfm"> <strong>save $150 if you register before this Monday, July 27.</strong></a></p>
<p>Enjoy!</p>
]]></content:encoded>
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		<slash:comments>10</slash:comments>
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		<item>
		<title>Film Markets: From A Sales Agent Perspective</title>
		<link>http://independentfilmblog.com/archives/film-markets-from-a-sales-agent-perspective/</link>
		<comments>http://independentfilmblog.com/archives/film-markets-from-a-sales-agent-perspective/#comments</comments>
		<pubDate>Thu, 22 Jul 2010 00:14:59 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=296</guid>
		<description><![CDATA[After listening to a couple of interviews from filmmakers on their experience at Film Markets, I thought you&#8217;d like to hear a different perspective &#8212; one from a SALES AGENT.
So in this interview, Clay Epstein, VP of Sales &#038; Acquisitions at The Little Film Company, gives filmmakers some incredible insight on how to get your [...]]]></description>
			<content:encoded><![CDATA[<p>After listening to a couple of interviews from filmmakers on their experience at Film Markets, I thought you&#8217;d like to hear a <em>different</em> perspective &#8212; one from a <strong>SALES AGENT</strong>.</p>
<p>So in this interview, Clay Epstein, VP of Sales &#038; Acquisitions at The Little Film Company, gives filmmakers some incredible insight on how to get your film to market, from the sales agent&#8217;s perspective.</p>
<p>Clay discusses everything from what buyers are looking for and which genres are (and aren&#8217;t) selling to how to look for a sales agent and at when to submit your films and everything in between, including trailer tips, film screenings at markets, trade advertising and more.</p>
<p>Take a listen and please post your comments and questions below. ENJOY!</p>
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		<slash:comments>5</slash:comments>
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		<title>DIY Film Market Case Study</title>
		<link>http://independentfilmblog.com/archives/diy-film-market-case-study/</link>
		<comments>http://independentfilmblog.com/archives/diy-film-market-case-study/#comments</comments>
		<pubDate>Mon, 19 Jul 2010 20:19:01 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Financing]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=287</guid>
		<description><![CDATA[I plucked this one from the Film Specific archives &#8211; one of our most popular Case Studies&#8230;..
After several years of attending film markets and studying the dynamics, learning the &#8220;business&#8221; of filmmaking and distribution, and meeting the buyers face-to-face, filmmaker Christian Viel started selling his films (and those from other filmmakers) at international film markets.
After [...]]]></description>
			<content:encoded><![CDATA[<p>I plucked this one from the Film Specific archives &#8211; one of our most popular Case Studies&#8230;..</p>
<p>After several years of attending film markets and studying the dynamics, learning the &#8220;business&#8221; of filmmaking and distribution, and meeting the buyers face-to-face, filmmaker Christian Viel started selling his films (and those from other filmmakers) at international film markets.</p>
<p>After a couple years learning ropes and establishing relationships, Christian began making deals directly with buyers from around the world, and even securing pre-sales on his own.</p>
<p>Take a listen and see if you aren&#8217;t inspired to tackle the next major Film Market (AFM) on your own. Or would you rather spend your energies elsewhere and stick with a sales agent (at least at first)? This Case Study will help you decide&#8230;. Enjoy!</p>
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		<slash:comments>3</slash:comments>
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		<title>First Time To Film Market</title>
		<link>http://independentfilmblog.com/archives/first-time-to-film-market/</link>
		<comments>http://independentfilmblog.com/archives/first-time-to-film-market/#comments</comments>
		<pubDate>Sat, 17 Jul 2010 20:39:09 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Financing]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=276</guid>
		<description><![CDATA[First time feature director Rahul Gandotra went to the Cannes Film Market with nothing more than a completed short, and a &#8217;script in process&#8217; for a feature length film based on the short. 
His goal?
To find a Producer with a track record to help him get his film financed and off the ground.
How many of [...]]]></description>
			<content:encoded><![CDATA[<p>First time feature director Rahul Gandotra went to the Cannes Film Market with nothing more than a completed short, and a &#8217;script in process&#8217; for a feature length film based on the short. </p>
<p>His goal?</p>
<p>To find a Producer with a track record to help him get his film financed and off the ground.</p>
<p>How many of you have projects at the script stage and are considering using the next upcoming Film Market (AFM) as a place to make new contacts and otherwise get your project off the ground?</p>
<p>Take a listen to this interview with Rahul and see how a little preparation can go a LONG way!</p>
<p>And don&#8217;t forget to leave your comments below after listening! What are some of your concerns about Film Markets in general whether you have a project at the script stage or one that is completed?</p>
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]]></content:encoded>
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		<title>Distribution Overwhelm</title>
		<link>http://independentfilmblog.com/archives/distribution-overwhelm/</link>
		<comments>http://independentfilmblog.com/archives/distribution-overwhelm/#comments</comments>
		<pubDate>Mon, 12 Jul 2010 16:32:16 +0000</pubDate>
		<dc:creator>Stacey Parks</dc:creator>
				<category><![CDATA[Distribution]]></category>

		<guid isPermaLink="false">http://independentfilmblog.com/?p=241</guid>
		<description><![CDATA[There are so many options nowadays for filmmakers with completed films. For example, you can easier then every before approach domestic distributors directly, hook up with a foreign sales agent to exploit your film&#8217;s rights overseas, upload your film to internet VOD platforms, self-distribute your film into theaters, and so much more, including doing a [...]]]></description>
			<content:encoded><![CDATA[<p>There are so many options nowadays for filmmakers with completed films. For example, you can easier then every before approach domestic distributors directly, hook up with a foreign sales agent to exploit your film&#8217;s rights overseas, upload your film to internet VOD platforms, self-distribute your film into theaters, and so much more, including doing a combination of all of the above. But with all these options comes even more confusion! Over the last couple of weeks I&#8217;ve gotten more Consulting requests than usual, everyone in the same predicament of &#8211; I have a completed film but don&#8217;t know which direction to go with it. I call it <strong>Distribution Overwhelm.</strong></p>
<p>So here&#8217;s my thoughts on this topic &#8211; there are many many ways to skin the distribution cat these days and no one way is right. But, you must think critically about which platforms are right for YOUR film. Meaning&#8230;.. every film is different and thus will require a unique distribution strategy. Just because you&#8217;re in awe of someone&#8217;s results self distributing their film, doesn&#8217;t mean you can replicate their success&#8230;nor does it mean that self distribution is right for YOUR film. Because maybe the results you&#8217;re witnessing are the direct result of things going on behind the scenes like a really big marketing budget, or an entire team of people promoting the film online, or a really hungry target audience that has been cultivated and aggregated over several months. Bottom line is, with results of any kind, there&#8217;s always more than meets the eye.</p>
<p>On the other side of the coin, just because you hear about <em>such-and-such</em> film getting picked up for <em>such-and-such</em> acquisition price by a traditional distributor and your film happens to be similar to theirs, doesn&#8217;t even remotely guarantee that you&#8217;ll be able to get the same kind of price for your film. Because what most people don&#8217;t take into account are the <em>credentials</em> behind some of these films (and the filmmakers) that get acquired for these acquisition prices. That&#8217;s one of the biggest <em>faux pas</em> I see filmmakers make actually &#8212; thinking results are typical and therefore relatable to THEIR film.</p>
<p>So what strategy IS right for your film then? Like I said, every film is different. So when thinking about what type of distribution strategy to pursue for your project, take into consideration the following and try and answer these questions:</p>
<p>• Does your film have a distinct target audience to market to (critical if you want to pursue any type of self distribution) and where can you go to connect with them?<br />
• Have you already started aggregating your target audience? If so, how?<br />
• Are you planning to submit to film festivals? If so, what is your bigger strategy around that?<br />
• Would your film benefit from a platform theatrical release? If so, do you already have an adequate budget set aside for that? If you don&#8217;t, can you raise more money from investors or sponsors?<br />
• Is your film better suited to go straight to DVD in the traditional sense (carving out the rights of course to sell DVD&#8217;s off your own website)<br />
• Do you want your film represented to foreign distributors at Film Markets like AFM, Berlin, and Cannes? If so, what is your plan for getting there?<br />
• In what order do you plan to release your film to take best advantage of all the platforms available?<br />
• and the list goes on&#8230;..</p>
<p>As I&#8217;m sure you&#8217;ve already figured out, determining what to do with your finished film these days can be overwhelming. Mostly because there are so many choices and directions you can go (plagued by choice?) and order in which you can do them.</p>
<p>I&#8217;d love to hear your thoughts though &#8212; anyone in the position of having a completed (or near completed) film and wondering which way to go?  What are your plans for your completed film?</p>
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